An article by Mian Naeem

The works of Ejaz Malik are based on a good number of drawing sketches which he has made during a few years. In the paintings, he composes 'Bismillah' in a variety of stylized, simplified and abstract manners.
About the evolution of his works, he said, "They don't have a religious perspective, because religion does not allow experimentation. I play with colours and use calligraphic strokes to explore new dimensions."
He hails from a small town near Rahim Yar Khan. He received training in architecture and interior designing in Paris during the 80s. He worked as an architect, interior designer, furniture designer and painter. In 1997, he developed the Department of Interior Design at National College of Arts. Currently, he is teaching at Beaconhouse National University. A solo show of his experimental calligraphic paintings was inaugurated at the Nairang Art Galleries, Lahore.
"I took it as a challenge; I think that the Quranic verses were revealed by the supreme power and the power and nature are infinite. I told myself that I am part of infinity, so my work should also be infinite. I started composing 'Bismillah' and have drawn 1900 sketches, so far. The day I stop, I will think I am tired."
He develops his visuals, using calligraphic lines and curves. In most of the works, he uses thin oil paint on a low textured canvas. He works hard to develop visual textures, employing calligraphic brushstrokes. His mature compositions and rich palette create a strong visual impact. In few of the works, the identity of the text seems fading in the beauty of shapes, rendered in radiant colours.

Author: (c) Mian Naeem
Art Critique
Pakistan.